VANITY FAIR
Ms. Hamill’s play gives us a vivid, panoramic satire of English men and women striving to rise through marriage or inheritance into that sphere of treasure and therefore imagined happiness.
Read MorePosted by Ann Firestone Ungar | May 21, 2017 | Reviews
Ms. Hamill’s play gives us a vivid, panoramic satire of English men and women striving to rise through marriage or inheritance into that sphere of treasure and therefore imagined happiness.
Read MorePosted by Ann Firestone Ungar | Mar 7, 2017 | Reviews
In 1966, when Tom Stoppard reimagined Hamlet by plucking from it two minor characters and giving them fully developed personalities for his groundbreaking existential play Rosencrantz & Guildenstern are Dead, perhaps he suggested to the fertile imagination of playwright Mark Jackson a way to reimagine The Oresteia by Greek playwright Aeschylus, c. 500 B.C.
Read MorePosted by Ann Firestone Ungar | Nov 8, 2016 | Featured, Reviews
“MASTER HAROLD… and the boys” is a mighty production of a mighty play about apartheid by Athol Fugard.
Read MorePosted by Ann Firestone Ungar | Apr 19, 2016 | Reviews
The DingDong, a first-rate farce presented by The Pearl Theatre Company, is based on Le Dindon by the French playwright Georges Feydeau (1885-1921). Adapted by Mark Shanahan, The DingDong plays fast and loose and is often ferociously funny and somwhat surreal.
Read MorePosted by Ann Firestone Ungar | Feb 16, 2016 | Reviews
Defendant Maurice Chevalier, a play with music, was written by Alexis Chevalier, the great grandnephew of the famous French singer and entertainer. In 1944 Maurice Chevalier (1888-1972) was accused of collaborating with the Nazis and tried in Paris by representatives of the Provisional Government of the French Republic based in Algiers. He was ultimately found innocent, with a consistent alibi.
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