The Invention of Love
Posted by Holli Harms | Sep 21, 2026 | Reviews | 0
Steve Turre All-Star Sextet
Posted by Holli Harms | Sep 19, 2026 | Featured | 0
In Honor of Jean-Michel Basquiat
Posted by Kendra Jones | Sep 18, 2026 | Reviews | 0
America, Who Hurt You?
Posted by Tulis McCall | Sep 17, 2026 | Reviews | 0
The Body of Mary: A Play in Three Acts (of God)
Posted by Chloe Boccara | Sep 16, 2026 | Reviews | 0
Sound Mind
by Tara Lamorgese | Sep 22, 2026 | 0
by Tara Lamorgese Sound Mind combines the psychological turmoil of Next to Normal with the teenage...
Read MoreThe Invention of Love
by Holli Harms | Sep 21, 2026 | 0
I recommend it for anyone who loves the work of words and seeing a show that holds the human being in high regard as an intellect and a creature who loves, and loves deeply.
Read MoreIn Honor of Jean-Michel Basquiat
by Kendra Jones | Sep 18, 2026 | 0
In Honor of Jean-Michel Basquiat is a production of spoken word, personal narrative, historical recollections, and an elegy–a poem for Basquiat and those activists and artists that left an impact on the Black community, and beyond.
Read MoreAmerica, Who Hurt You?
by Tulis McCall | Sep 17, 2026 | 0
AMERICA WHO HURT YOU – As part of the lesson, Jones brings us several characters over three centuries who have stories they want to tell and we need to hear. This is where Jones shines because she disappears while we watch these characters emerge. These characters are the meat of the piece.
Read MoreThis is Not Not a Drill
by Chloe Boccara | Sep 16, 2026 | 0
This is Not Not a Drill is a unique opportunity to look at familiar streets with unfamiliar eyes.
Read MoreThe Body of Mary: A Play in Three Acts (of God)
by Chloe Boccara | Sep 16, 2026 | 0
By Chloe Boccara “This is either going to blow my mind, or be really, really mediocre,” I...
Read MorePre-Existing Condition
by Tom Storch | Sep 15, 2026 | 0
Marin Ireland’s Pre-Existing Condition, which made waves with its original run in 2024, is back off-Broadway and playing at Greenwich House Theater through January 8th. If you don’t have your tickets yet, act now. This show is not to be missed. Ireland’s debut writing effort—she’s also an actress and fixture of the New York theater scene—is compelling and devastating.
Read MoreVery Blue Light
by Tara Lamorgese | Sep 15, 2026 | 0
Marfa, Texas. Two women reunite with their childhood best friend, only to find that his politics have gone askew. With uncertainty defining both the present and future, Angela faces the temptation of adopting her old friend’s conservative lifestyle, while Magna seeks (and finds) some certainty about her way forward when she and a lifelong Marfan encounter the mysterious Marfa Lights.
Read MoreWho’s Afraid of Virginia Woolf?
by Victoria Weisfeld | Sep 15, 2026 | 0
By Vicki Weisfeld Shakespeare Theatre of New Jersey has tackled one of the 20th century’s most...
Read MoreLean-To
by Stanford Friedman | Sep 14, 2026 | 0
A lonely bartender, a chatty lawyer and a conflicted therapist walk into the woods and, by the time they walk out, mistakes have been made, relationships have pivoted and nature has taken its unruly course.
Read MoreNew York Resounds: The ASO Marks Twenty-Five Years Since 9/11 at Bryant Park
by Edward Kliszus | Sep 13, 2026 | 0
On the twenty-fifth anniversary of 9/11, the American Symphony Orchestra and Leon Botstein turned Bryant Park into a place of sanctuary. Copland’s fanfare, Walker’s lament, Ives’s firemen’s parade, Haydn’s Mourning Symphony, and Mahler’s unfinished Adagio marked a journey from grief to gratitude, with luminous playing from concertmaster Cyrus Beroukhim and the ASO’s principals. Free, fearless, and profoundly humane, this is the orchestra New York deserves. Seek out the ASO’s 2026–27 season at Riverside Church and Carnegie Hall, and go.
Read MoreCl*t Cult
by Margret Echeverria | Sep 11, 2026 | 0
Daedone ripped off the teachings of Morehouse from another student who actually studied there (the Tibetan Monk origin story is a fiction, Stone tells us) and mangled the pleasure practices into a way to manipulate women, expecially, for power and profit.
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