Clyde’s
Posted by Victoria Weisfeld | Feb 5, 2023 | Reviews
The Machine Stops
Posted by Holli Harms | Feb 5, 2023 | Featured
John-Andrew Morrison at 54 Below – TONIGHT FEBRUARY 4
Posted by Tulis McCall | Feb 4, 2023 | Reviews
Tony Kadleck Big Band at Birdland
Posted by Edward Kliszus | Jan 31, 2023 | Reviews
Piaf! The Show (2023 world tour)
Posted by Sarah Downs | Jan 31, 2023 | Reviews
AUDIENCE by Václav Havel
by Edward Kliszus | Feb 7, 2023 | Reviews
AUDIENCE was presented with fine acting, powerful multi-dimensional visuals, cultural significance, context and import, rich vigilance, and irony.
Read MoreLUCY
by Tulis McCall | Feb 7, 2023 | Reviews
By David Walters There’s a wonderful modern apartment set on the stage at the Audible Theater for the play Lucy. Modern whites and shades of gray, a little blonde wood and some chrome on the furniture. It’s the entrance to the...
Read MoreClyde’s
by Victoria Weisfeld | Feb 5, 2023 | Reviews
Pulitzer-Prize winner Lynn Nottage’s dramatic comedy about four ex-cons employed by a tyrannical diner owner is not only funny, it’s also a serious look at the problems they face living in the world outside prison walls.
Read MoreJohn-Andrew Morrison at 54 Below – TONIGHT FEBRUARY 4
by Tulis McCall | Feb 4, 2023 | Reviews
Morrison’s selection of songs covers everyone from Taylor Swift (Snow On The Beach)to Stephen Sondheim (Losing My Mind) to Lizzo (Soulmate) to Harry Warren and Al Dublin (I Only Have Eyes for You). Each is delivered with style, grace and a little sass on the side.
Read MoreTony Kadleck Big Band at Birdland
by Edward Kliszus | Jan 31, 2023 | Reviews
Swinging big band music was hot in Manhattan this week! From the moment the Tony Kadleck Big Band began their set at the Birdland Jazz Club, we tapped our toes and jumped to a tasteful, tight, polished sound, solid rhythm section, cats burnin’ solos, and sophisticated superb arrangements by trumpeter and band leader Kadleck.
Read MorePiaf! The Show (2023 world tour)
by Sarah Downs | Jan 31, 2023 | Reviews
In this solo concert, Nathalie Lermitte personifies Edith Piaf without doing an impression or imitation. Rather, Lermotte has internalized the spirit of Piaf’s specialty, the chanson réaliste – music rooted in simple, real human emotion (which, of course, is never actually simple), and made it her own. Sensitive piano and the woody sound of xylophone locate us in the smoky cabarets, but it is the accordion, alternately wistful and boisterous, that whisks us off to Mont Martre and la vie Bohème.
Read MoreFood for Thought presents Stabbed Ten Times and The Last Chance Cafe
by David Walters | Jan 29, 2023 | Reviews
For twenty-two years Food for Thought theatre company has been doing readings of one-act plays both to hear them and to develop them.
Read MoreOrgan and Orchestra by the American Symphony Orchestra
by Edward Kliszus | Jan 29, 2023 | Reviews
The program opened with Camille Saint-Saëns’ Symphony No. 3 in C minor “Organ” (1886). When the organ spoke at the first poco adagio along with lush strings and harmonies, the amalgam of sound was exquisitely sublime, inspiring reverence and spirituality from Saint-Saëns’ melodic prose.
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