DIG
Posted by Tulis McCall | Sep 20, 2023 | Reviews
Posted by Tulis McCall | Sep 20, 2023 | Reviews
Posted by David Walters | Sep 19, 2023 | Reviews
Posted by Tulis McCall | Sep 19, 2023 | Reviews
Posted by Margret Echeverria | Sep 18, 2023 | Reviews
Posted by Tulis McCall | Sep 18, 2023 | Reviews
Posted by Sarah Downs | Sep 18, 2023 | Reviews
by Tulis McCall | Sep 20, 2023 | Reviews
as the play concludes Rebeck drops us off in the neighborhood near where the story started. Â Where truth was a bargaining chip. Â Curiosity was the coinage of the realm. Â And possibility was almost DOA. Â Almost.
This is a majestic play. Â Get there.
Read Moreby David Walters | Sep 19, 2023 | Reviews
What makes this play intriguing is the space between, the quiet of mind in its many forms juxtaposed with the noise of forced intention that is so poignant in its playing.Â
Read Moreby Tulis McCall | Sep 19, 2023 | Reviews
This play is not a walk in the park. Â It is a running of the gauntlet. Â Both these characters are playing a high stakes game, and because of the combination of writing, direction and performances we are allowed access to the very heart of the matter.
Read Moreby Margret Echeverria | Sep 18, 2023 | Reviews
Lucy (Jordan Boatman) the woman for whom all the trouble is made, is Helen of Troy gorgeous. With heaving bossom, she is such a master of physical comedy that we and all the “men” on the stage are afraid to take our eyes off of her. Tempered with patience for all the chaos around her, the love she bears in her heart is co-committed to her chosen family, banishing the boring codependent Lucy other productions have given us; Boatman offers a Lucy in control of her life.Â
Read Moreby Tulis McCall | Sep 18, 2023 | Reviews
By Tulis McCall Let me tell you something about Lin Shaye  This woman has worked.  A lot.  Since...
Read Moreby Sarah Downs | Sep 18, 2023 | Reviews
Swing State is unique in that it is a political play that is not overtly political. Focusing on the human, the play sets out the emotional terrain on which ideologies and preconceptions can wreak havoc. Told with sensitivity, humor and dramatic intensity, the narrative explores grief’s insidious reach, as the four protagonists come face to face with the price of progress (or is that the wages of sin?)
Read Moreby Edward Kliszus | Sep 18, 2023 | Reviews
This amalgamation of 19th century protestant hymnody and Greek myths begins with its musical exploration of the legend of Icarus, son of Daedalus (creator of the Labryinth) who flew too close to the sun with wings of wax and feathers. Icarus’s struggles to reconcile his father’s dominance only to plunge to his oceanic demise is characterized through this venue with a rich musical mixture of Rhythm and Blues, gospel, and classical venues supplemented by musical theater. A true multi-media experience is reimagined for the virtual stage.
Read Moreby Edward Kliszus | Sep 15, 2023 | Reviews
The concert featured sopranos Sherezade Panthaki and Corrine Byrne, mezzo-soprano Sylvia Leith, countertenor Daniel Moody, tenors Brian Giebler and Lawrence Jones, and bass-baritones Edmund Milly and Joseph Parrish. This astounding coterie of gifted musicians presented continuously breathtakingly beautiful and inspired performances.
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