In her play, ‘Til Death, Elizabeth Coplan examines the less attractive aspects of death – less attractive in that as we watch a loved one reach the end of his or her life, feelings we would prefer to remain hidden inexorably rise to the surface.  Antagonism and greed can override compassion in an instant.  Compounded by the issue of a loved one expressing a desire to choose to take control of the process, the turmoil can reach next level dissonance.  Coplan makes a worthy effort to explore this difficult subject, but the play falls far short of the mark.