Based on a 13th century work by Guan Hanqing, the feeling of being at once ancient yet modern, feminist yet powerless, resonates throughout the evening. Time is non-linear, bloodlines are long, spirits haunt the stage and nature itself is unsettled.
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The play deals with grief or, more precisely, that period of time when grief is beginning to lift and a person is inclined to make mistakes, or resist the urge of forward momentum, or both.
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There is no mention of religion, nor sign of a supreme being. Still, this meditative drama is holy in its own way.
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This head-scratcher is a meditation on history itself – how it can be hidden, lost, or transformed into something wholly evil.
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In a frantic one-hour set that is both under-rehearsed and overblown, Cantone throws everything he can think of against the café’s renowned mural-covered walls to see what sticks.
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