In this comically surreal reimagining of the Lizzie Borden story, the playwriting team of Zuzanna Szadkowski and Deborah Knox have more on their minds than just homicide by hatchet. They display a vested interest in fat-shaming, unrequited love, broken marriages and the desperate need to be needed.
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This decidedly dark drama chronicles the lives of five emotionally damaged Idahoans who spend their days working at an art supply store and their nights pensively seeking some sort of salvation from their angst-ridden existence.
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You can’t have a proper celebration of film noir music without a murder, so it is fortunate that Melissa Errico kills during her cinematic and sultry concert
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A work that meditates on a heart aneurysm, cancer and the specter of AIDS, but finds joy in a son’s love and an actor’s big break.
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Mellamphy’s assured, charismatic performance, and clear gift of gab, makes Tim an engaging and all too relatable anti-hero who finds his way to success via a series of questionably justified crimes and misdemeanors.
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