Author: Stanford Friedman

Munich Medea: Happy Family

Nourished by Corinne Jaber’s sharp writing and Lee Sunday Evans’ sensitive direction, this production makes the most out of isolating its players. It serves to effectively express the loneliness that comes with the keeping of secrets, the loss of trust and the pain of victimization.

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The pleasures of the Broadway revival of Spamalot are three in number. Three shall be the number thou shall count and the number of the counting shalt be three.

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The Lights Are On

Playwright Owen Panettieri sticks three jittery oddballs in a haunted house and leaves it to the audience to decide who among them is the biggest victim, the worst tormenter, the most insane.

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