Think about it. When Harvey Fierstein was writing the components of “Torch Song” back in the late 1970’s, there was no AIDS. And it had only been a dozen years since it was legal for New York bars to serve gay and lesbian patrons. So, while a character like Arnold Beckoff (Michael Urie), a drag queen who longs for a committed, loving husband that he can acknowledge to the world, and a family of his own may seem normal to us now, back then, Fierstein was writing science fiction.Read More
Author: Donna Herman
By definition, Michael McKeever’s “Daniel’s Husband” is a modern Greek tragedy even though the first couple of scenes are laugh-out-loud funny. Although the play is about a gay couple, it is a universal look at love, commitment, marriage and family that knows no gender. It’s questions and concerns are modern and transcend religion, race or nationality. Daniel’s Husband asks important questions. What do I owe of my personal life to my public life? How far am I willing to compromise my needs for the needs of my partner? What are the limits of love?Read More
Don’t be fooled by the title of Eleanor Burgess’ “The Niceties,” now playing at Manhattan Theatre Club’s Stage II. Despite the name, there are no civilities, no handshakes, no pledges of sisterhood or fidelity. Nothing is resolved. I loved it. The other thing that I really liked about Burgess’ approach to her two-character, conflict-filled play is that there is no clear villain.Read More
I wouldn’t describe “Gloria – A Life” as a conventional play, but then again, there’s absolutely nothing about the life of Gloria Steinem that’s conventional. Emily Mann’s Gloria – A Life is as thought-provoking, educational, inspirational and surprising as is Ms. Steinem herself. Although I occasionally questioned Ms. Mann’s style, her subject was so compelling, I was rapt, riveted.Read More
If the reason you go to musicals is for the musical numbers, “Midnight at the Never Get,” presented by the York Theatre Company, is a sure bet. The songs are absolutely gorgeous – every single one of them. The music and lyrics are written by Mark Sonnenblick, winner of a 2018 Jonathan Larson Grant. Set in an illegal, underground gay cabaret in Greenwich Village in the mid to late 1960’s, the songs are reminiscent of the Great American Songbook with clever, moving lyrics and haunting, hummable melodies.Read More
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