Prucencia Hart is a piece that charms in its simplicity, while packing a folky punch. As Prudencia searches for beauty (and begins to let her hair down), the tale of her undoing is one that will stick with you for many moons after; I’ll bet you just “can’t get [it] out of [your] head.”
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If you’re looking for a night out and want to step back into the era of 70s NYC disco subculture, book your ticket!
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Dustin Wills’ direction for the piece pushes the boundaries of theatricality, utilizing the full space and creating a beautiful mess across the stage as the actors repurpose various props and objects with child-like imagination. This is Jeeun’s world and in it cereal is made of colorful pom poms and paperclips and the refrigerator is also a telephone and a front door.
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Standout performances from Paul Bettany and Jeremy Pope in addition to a smart script penned by Anthony McCarten give THE COLLABORATION wings as it questions the value of art to the artist as well as to those who engage with it.
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For those like myself, who haven’t read the source material, Great Expectations at Greenwich House is a wonderful introduction; however, the piece moves speedily through the adventure, so be sure to stay attentive so you don’t get lost. Eddie Izzard is an entrancing storyteller and brings her brother’s 2 hour adaptation to the stage with humor and ease.
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