By Ed Kliszus
Lights dimmed and the rhythm section played and sang an introduction for the delightful, smiling Liz Callaway as she came to the microphone. She was accompanied this evening by musical director and pianist Alex Rybeck, drummer Ron Tierno, and bassist Ritt Henn.
After a cheerful welcome to the audience, Callaway began to reflect on her times with Stephen Sondheim, describing their friendship and collaboration spanning four decades. Each of the songs followed her career, life, and thoughts chronologically like a diary expressing ambition, success, humor, and love. From the onset, her accompanying trio performed Sondheim’s elegant musical structures and dissonances with aplomb, providing subtle but formidable support for her vocal poetry.
Callaway began with a sentimental tour of Sondheim songs including, “What More Do I Need” from Saturday Night, “I’m just a Broadway Baby” from Follies, “Old Friends” from Merrily We Roll Along, “The Miller’s Son” from A Little Night Music “What Do We Do? We Fly” from Do I Hear a Waltz.
She introduced these next songs as her favorites, beginning this segment with “I Remember Sky” from the TV series Evening Primrose.
Callaway relayed an anecdote of her son Nick as a toddler when only one song stood out as capable of soothing him. She sang the exquisite “Nothing’s Gonna Harm You” from Sweeny Todd. One can imagine the flurry of emotions of her 31-year-old son seated in the audience this evening.
In a contrast to the insights of her son as a child versus today as a young adult, Callaway sang “Now You Know” from Merrily We Roll Along, set in a jazz style.
For perspective, Callaway sang the moving and romantic “In Buddy’s Eyes” from Follies.
Callaway next sang a song reminding her of her Dad. “The Road You Didn’t Take” from Follies. She then conveyed the sentiments of the ever passionate and romantic “Loving You” from Passion.
She explained that her favorite musical is Sunday in the Park with George just before introducing her son Nicholas Callaway Foster. He came to the stage to sing with her the duet “Move On” from that musical.
“Another Hundred Lyrics” from Company brought the audience to their feet. Callaway’s breath control and diction were fabulous in this challenging song.
The pensive “Send in the Clowns” from A Little Night Music slowed things down and led to Callaway’s gracious thanks to the audience, staff, Lighting Director Ashley Kok, Sound Supervisor Amanda Raymond, and Livestream Director KJ Hardy.
Callaway’s closing selection, “Our Time” from Merrily We Move Along earned another well-deserved standing ovation that earned the audience an encore. This song revealed the vulnerability, soul, artistry, and poetry of both songwriter and singer.
Tonight’s performance reflected not only Sondheim’s poetic brilliance but Callaway’s ability to convey the story of her life through songs that characterize her thoughts and feelings at each step.
Callaway’s singing embraced the elegance of the wonderful songs and sentiments she shared with her listeners, magically drawing her audience as fellow travelers into each song’s poetic, artistic world. Her pitch, tone quality, breath control, articulation, and expression were flawless.
Director Dan Foster, Creative & Program Director Jennifer Ashley Tepper, and Executive producers Steve Baruch, Richard Frankel, and Tom Viertel.
Feinstein’s/54 Below 254 W 54th St/ Cellar New York NY 10019