By Vicki Weisfeld
Charley’s Aunt, the 1892 farce that ran almost 1,500 performances in London’s West End is remounted by The Shakespeare Theatre of New Jersey in a sparkling, fast-paced production directed by Joseph Discher that opened October 27 and runs through November 18. The author, actor Brandon Thomas, wrote several other plays, but this was his masterpiece.
As the play opens, St. Olde’s College student Jack Chesney (played by Aaron McDaniel) is in his campus rooms, fretting over the draft of a letter to a young lady. He can’t get the news of his attachment quite right, and her family is decamping to Scotland on the morrow. He’s soon joined by his pal Charles Wykeham (Isaac Hickox-Young), suffering similar writer’s block over his letter to another young lady in the soon-to-depart group.
Charley, an orphan, is further flustered by information that his wealthy aunt, Donna Lucia D’Alvadorez will be arriving mid-day to meet him. Though she’s paid for his education from her home in far-off Brazil (“where the nuts come from”), they’ve never met. Jack soon concocts a plan to invite their lady-loves to luncheon in his rooms to meet Charley’s aunt, who can provide a suitable chaperonage. But how to get rid of her when they want privacy? Jack hits on the stratagem of adding their amusing friend Lord Fancourt Babberly—“Babbs” (Seamus Mulcahy) to the party. He can entertain the old lady, surely.
Babbs arrives and mentions he’s taken up amateur theatricals and is about to play an elderly lady in some production. (At this point, the direction of the plot is clear, which doesn’t subtract a bit from the enjoyment!) The costume is produced, Babbs dons it, and almost simultaneous with the arrival of the young ladies is a note saying Donna Lucia’s plans have changed and she cannot arrive for several days.
Poor Babbs is finagled into pretending to be the aunt and the fun is in full sway. More people join the luncheon party—Jack’s father, Colonel Sir Frances Chesney (David Andrew MacDonald) and the father and guardian of the young ladies, Stephen Spettigue (John Ahlin), both of whom have an eye on the fetching (and wealthy) Donna Lucia.
Although the story starts a bit slowly, once the plot gets rolling, there’s no stopping it. When Charley’s aunt—the real Donna Lucia (Erika Rolfsrud)—arrives, sizes up the situation, and keeps her true identity secret in order to torment poor Babbs, the catastrophes and the laughs multiply.
The cast has a great deal of fun with the physical comedy and sight gags. (You’ll love the after-dinner tea presided over by Babbs in Act Three.) All of those named above are up for the rapid pace of the shenanigans, including the three delightful ingenues: Emiley Kiser as Amy Spettigue (Charley’s love), Erica Knight as Kitty Verdun (Jack’s), and Sally Kingsford as Ela Delahay, Donna Lucia’s companion. By maintaining his dignity regardless of the outrages he witnesses, Peter Simon Hilton’s Butler is a perfect foil.
Ultimately, the real success of the production rests on the shoulders of Seamus Mulcahy. His Babbs—mugging, fleeing, angry, amorous—is a treat from beginning to end and well earned the enthusiastic standing ovation he and the cast received.
Shakespeare Theatre of New Jersey productions are hosted at Drew University in Madison, N.J. (easily reachable from NYC by train). For tickets, call the box office at 973-408-5600 or visit the Box Office online. Note that STNJ offers special ticket pricing of $30 for theatergoers under age 30!