By Donna Herman

Shem Bitterman’s new play, The Stone Witch, is making it’s New York premiere at The Westside Theater with an absolutely gorgeous production. Which may be better than the play. It’s not that the play is bad. It’s not, it’s charming.  It’s just that the collaboration between Yael Pardess, who designed the set and did the drawings for Projection Designer Brad Peterson, Lighting Designer Betsy Adams, Sound Designer Christopher Cronin and Music Composer Roger Bellon is so stunning that the play didn’t quite deliver the promise of the visuals.

Simon Grindberg (Dan Lauria) is the world’s most celebrated children’s book author and illustrator. But his next book is 12 years overdue.  His editor, Clair Forlorni (Carolyn McCormick), hires young hopeful Peter Chandler (Rupak Ginn) to act as an assistant to “The Great Man.” The brief to Peter being that he is to inspire/nudge Simon into delivering an original 300 word book with illustrations by September 1st  so they can have it out by Christmas.

Peter makes the 2 hour trek to Simon’s hideaway in the country to beard the irascible Great Man in his woodland studio.  There to meet his idol and try and discover why he cannot work.  And try and get him to do so.  All with his own creation in his pocket, and his own hopes and dreams tied up in it.  Needless to say, things don’t go according to anyone’s plan.

It is in this studio, where the rest of the play takes place, that the production team has outdone themselves. It’s a big one-room cabin with well-worn furniture. Giant Sendak-like drawings of creatures hang from the rafters, There’s a wall of screened-in windows in the back through which you can see trees rustling in the breeze, bears ambling by, flights of birds flying overhead, and see and hear anyone coming down the path.  When Simon starts to draw, the sketches appear on the windows behind him, line by line.  When his imagination overtakes him, and the stuff of his nightmares manifest to him, they boil up out of his mind onto the screens in vivid drawings.

The Stone Witch is a fairy tale. With touches of The Wizard of Oz thrown in for good measure.  But I get the feeling that there have been too many rewrites of this play and a thread has been lost. Mr. Bitterman has tried to explain Simon’s creative block with mental illness, alcoholism, WWII PTSD and Nazi’s, and remnants of these issues remain and confuse the issue.  It’s a fairy tale, there’s magic.  We can see it clearly on the screens behind him and we’re perfectly satisfied with that explanation.  The rest is a red herring that gets in the way and confuses us.  He’s an artist, a lonely old man terrified of his own success, and this has taken hold of his imagination and blocked him.

The cast is first rate. Carolyn McCormick is the perfect ice queen publishing princess who can turn on the charm one minute and become a piranha the next.  Rupak Ginn does a fine job of portraying a young artist walking on the sword’s edge of doubt and self-esteem in front of his hero.  Dan Lauria is masterful at taking the confusing character of Simon Grundberg as written, and turning him into a real live flesh-and-blood human being we care about and have sympathy for.  Lauria also has wonderful timing and delivery, and a commanding presence.

The Stone Witch By Shem Bitterman, Directed by Steve Zuckerman

WITH: Dan Lauria (Simon Grindberg; Rupak Ginn (Peter Chandler)’ Clair Forlorni (Carolyn McCormick)

Scenic & Projection Art Design by Yael Pardess; Costume Design By Mimi Maxmen; Lighting Design by Betsy Adams; Sound Design by Christopher Cronin; Projection Design by Brad Peterson; Music Composed & Conducted by Roger Bellon; Production Stage Manager, J.P. Elins; Production Manager, Mary Duffe; Produced by Darlene Kaplan, Produced by Laura Janik Cronin; Produced by Scott Newsome; Produced by Alec Seymour, originally presented by The Berkshire Theatre Group.  Through July 15th at The Westside Theatre, 407 west 43rd Street, NYC.  Mondays & Tuesdays at 7:00PM, Wednesdays & Saturdays at 2:00PM & 8:00PM, Fridays at 8:00PM, Sundays at 3:00PM, DARK ON THURSDAYS.  For tickets visit: