South of Katz’s Deli on Houston Street, somewhere along the narrow urban labyrinth of tattoo parlors, bike shops, slick bars and knish bakeries on the crowded, short blocks that comprise today’s hip lower East Side, there is a private club so private that I am not allowed to mention its name in this article. For the initiated, it has sister outposts in Hong Kong and London, and when one enters into its spare reception area just a few...
What better way to start a June 16th then listening to the likes of Honor Molloy, Aedin Moloney, Terry Donnelly and Fiona Walsh reading from Joyce’s Ulysses.
The Front Row Center Pieces – Our favorites from the 2016-2017 season.
Political Comedy troupe Capitol Steps will be performing their new show “Orange is the New Barack” at Symphony Space in the New York City area for two performances only on June 18th at 3:30 and 7:30pm. In advance of this gig, our writer, Donna Herman, had the opportunity to put a few questions to Capitol Steps writer and performer Elaina Newport recently.
Wow, wow, double wow, in fact, wow times 6.
Producers Sonia Friedman, Shakespeare’s Globe and Paula Marie Black have announced that three-time Tony Award winner and Oscar winner Mark Rylance will return to Broadway in a transfer of the West End hit Farinelli and the King. The Shakespeare’s Globe production will begin previews at the Belasco Theatre on December 5, 2017, before an official opening on December 17 and a strictly limited engagement through to March 25, 2018.
“Love Letters” is a love letter to letters themselves. Dan Lauria and Wendie Malick render the handwritten voices of their iconic characters with subtlety, humor, and honesty at a 3-night benefit for NJ Repertory Company in Long Branch.
2017 DRAMA DESK AWARDS NOMINATIONS ANNOUNCED Awards will be presented Sunday, June 4th at The Town Hall www.DramaDeskAwards.com (Thursday, April 27, 2017) – Nominations for the 62nd Annual Drama Desk Awards were announced this morning at Feinstein’s/54 Below by Laura Benanti (She Loves Me, Gypsy) and Javier Muñoz(Hamilton, In the Heights). The nominations announcement was streamed live on www.TheaterMania.com. The full...
Lions and Tigers and – oh, I mean SHAKESPEARE. Oh my. If this is summer a comin’, it must be Shakespeare.
The Rodgers and Hammerstein classic Carousel will return to Broadway in 2018, featuring Tony Award winner Jessie Mueller (Waitress) as Julie Jordan, Tony nominee Joshua Henry (Hamilton) as Billy Bigelow and opera star Renee Fleming as Nettie Fowler. Three-time Tony winner Jack O’Brien will direct the revival, set to open on March 23, 2018 at a theater to be announced.
By Massimo Iacoboni What’s a father to do when he finds out his teen age son is being bullied at school? How do you grow up Latino and proud in contemporary America? Are today’s bullies just another incarnation of yesteryear’s Spanish Conquistadores? These are just some of the questions asked and answered, in his trademark agitator style, by performer and writer John Leguizamo, who unleashed his considerable wit, as well as scores of...
NOW ACCEPTING SUBMISSIONS – “FIND YOUR SIGNIFICANT OTHER AT SIGNIFICANT OTHER” ON BROADWAY NOW ACCEPTING SUBMISSIONS: “FIND YOUR SIGNIFICANT OTHER AT SIGNIFICANT OTHER” ON BROADWAY View this email in your browser FOR IMMEDIATE RELEASE Contact: Alana Karpoff/Rachael Singer/Irene Gandy “FIND YOUR SIGNIFICANT OTHER ATSIGNIFICANT OTHER” ON BROADWAY ON THURSDAY, APRIL 13THAT THE BOOTH THEATRE;NOW ACCEPTING...
The past year has been a good one for Robert Creighton, the creator and star of Cagney. The project that has been his passion for nearly 20 years has just celebrated its first year Off Broadway and, although it is closing at the West Side Theatre, there are plans for future productions. It started back when Creighton’s teacher, Jack Melanos, at the American Academy of Dramatic Arts told Creighton he looked like Cagney. This sent Creighton off to research Cagney, and he pretty much fell for the guy.
Look, I don’t like “fun” per se. I know a lot of you do, but for the most part what other folks consider “fun” I find puzzling. Sitting outside getting third degree burns watching baseball. Hopping on a sail boat to sail to nowhere before you turn around and head back home. Strapping long narrow pieces of metal onto you feet and purposely going to the top of a snowy mountain so that you can figure out how to, well, slide down – and then do it over and over again. No. No thank you.
Also on my list of things I do not like is Audience Participation of any kind. Entertain me. Do not ask me to work for you.
I was, therefore, PLEASANTLY surprised to enjoy myself in the extreme….
By Stanford Friedman For the second year in a row, BroadwayCon coincided with a severe storm. But this time, instead of a blizzard, a fierce political wind raged through the city, with thousands taking to the streets in protest. At the Javitz Center, in keeping with theater tradition, the show went on. And what a show it was. Sunday morning brought out a dozen of the industry’s most talented artists. First, there were the...
British born Andy Walmsley designed the West End/Broadway musicals “Buddy, the Buddy Holly Story” and “Blood Brothers”. He created the set for the globally syndicated TV game show “Who Wants to Be a Millionaire”. His set design has been widely seen on “Pop Idol” and “American Idol” for which he won an Emmy, as well as on current TV shows “America’s Got Talent”, “The Biggest Loser”, and “So You Think You Can Dance”.
Here is our interview with Andy Walmsley.
I arrived earlier than planned tho BroadwayCon on Saturday morning,so I snuck into the end of a discussion on cosplay because, really, how could one not? On the dais, a princess, a cat, and a Phantom of the Opera held forth. The audience was full of assorted Schuyler sisters, and various characters from Wicked. The conversation was a rather fascinating mix of gender politics and tips on buying fabric; surely it was the only outlet at BroadwayCon where Goodwill shops and transgenderism were simultaneously getting proper recognition for their merits.
Flocks of theater kids heading west, dressed as Matilda or The Little Mermaid or a Newsie can mean only one thing: BroadwayCon 2017 has arrived. After launching the convention last year, during a blizzard, in the comparatively intimate Hilton Midtown, this year the organizers have gone full throttle, relocating to the Javits Center and offering more than 200 hours of programming with nearly 500 “special guests” spread across three days.
Throughout this memoir, Kaz collapses the various layers of her life – thwarted actress, budding writer, latent activist, undiscovered feminist – to step out from behind the mask of her personal history. She declares: I’m still here and I like it. And I’m not going away.