Author: Stanford Friedman

The Girl Who Jumped Off The Hollywood Sign

In its recounting of the fate of some of the leading film actresses of the 1930’s and 40’s, it is a trenchant reminder that the degradation of women, in their paths to stardom and their behind-the-scenes daily lives, was inherent from the earliest years of the Hollywood system.

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An engaging think piece that wonders if opposites attract or if opposites attack. Some play titles operate on two levels; this one operates on so many levels it is hard to keep count. The word itself pops up in the script some 26 times and the work, ultimately, is a study of actuality, how internal and external forces can alter the memory of an experience.

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