Bottom line — I’m really glad I got to see this play. It has much to recommend it. It has power and passion and laughter and pathos. It’s a small room, so not so many tickets. If you’re asking me, I’d say go.Read More
Author: Kathleen Campion
The intellectual playfulness of Relevance, which opened Sunday night at the Lortel, has a whisper of Stoppard about it, in that it is a play about ideas and words and their relevance — which could sound stuffy, but plays with enormous vitality.Read More
Kennedy haunts her characters with the thundering violence of history. Kay is bedeviled by her mother’s end. She will never know if her 15 year-old mother, impregnated by a white man, killed herself or was murdered. Chris, a white boy of relative privilege, lives with the ghosts of his father’s Negro women and their children. His mother tells him his daddy loved them more.Read More
They pull off a hip-hop number with ICE agents (Molly Kelleher, Katie Goodman, Tana Sirois) rapping at a Hamiltonian pace, and an Alice Through-the-Looking-Glass skit about a lesbian couple (Molly Kelleher, Tana Sirois) grossed out by the heteros next door.Read More
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