Stephen Pasquale plays the alpha male no one can effectively challenge. Yet, on some level he is beguiling; his conviction and confidence compel you to consider his “wisdom of the markets” position. He embodies the BSDs of the eraRead More
Author: Kathleen Campion
At the light end of the premise, the playwright, Scott Carter, is serving up a staged version of the conversational gambit: If you could have dinner with the three greatest writers in history, whom would you choose? At the weightier end, you are forced to consider: How do you feel about the conversation by the time the port is served? Enlightened? Bilious?Read More
Susannah Perkins’s mesmeric eyes capture you at the get-go. The entire production rests on her narrow shoulders. I’ve rarely seen an actor more perfectly cast nor a character more ideally realized. She puts you in her pocket, and it is up to her to decide when you leave the room.Read More
A play needs more than a clown car of notions and a three ring circus of ambiguity, even if all that tickles your imagination and spurs your conversation. In A Parallelogram are we seeing a visionary young woman who’s perception allows us to entertain remarkable possibilities? Or, are we visiting the distorted world-view generated by her brain tumor? Intriguing to consider, but can you give the audience a hint?Read More
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