Author: Donna Herman

Muswell Hill

The dinner party from hell is a tried and true theatrical device.  Playwright Torben Betts takes full advantage of its potential in Muswell Hill and delivers not only the requisite excruciatingly dysfunctional family dynamics, scathing looks at both well-heeled bleeding liberals, and down-at-the-heels revolutionaries, but a sobering shot at self-absorbed aging thespians as well.  Ouch.  And while he does it most entertainingly, with a rapier sharp wit, there’s much food for thought here.

Read More


Illyria, written and directed by Richard Nelson, and currently enjoying its world premiere at The Public Theater, is a biographical look at The Public’s founder, Joseph Papp, and his struggles to establish the iconic New York Shakespeare Festival.  It’s a dramatic tale filled with ambition, creativity, genius, pride, politics, manipulation, celebrity and historically significant events from 60 years ago.  For theater and history buffs, Illyria feels like a corner seat in the room where it happened.

Read More

Oedipus El Rey

Wow. After seeing Oedipus El Rey at The Public Theater, I don’t begrudge playwright Luis Alfaro his MacArthur Fellowship.  It’s also known as the “Genius” Grant, but the MacArthur folk don’t like it when you call it that.  In this case, however, it definitely applies.  Alfaro takes the Oedipus story and sets it in the modern day Chicano gang culture of Southern California which is something only he would do, and it works brilliantly. 

Read More

After The Blast

Zoe Kazan couldn’t possibly have predicted our current state of nuclear brinkmanship with North Korea when she wrote After The Blast in the spring and summer of 2016. But its opening now in October of 2017 is a chilling reminder of the ways in which art can either mirror life or warn us of the dangers in our way.

Read More

Lonely Planet

When Steven Dietz wrote Lonely Planet in 1993, the world was in the 12th year of the AIDS crisis, we didn’t have an effective drug regimen, and we were still mired in the belief that it was a “gay” disease. However, don’t confuse Lonely Planet with earlier works on the subject like Larry Kramer’s The Normal Heart or Tony Kushner’s Angels in America. Dietz has written a very quiet, personal play about friendship in the midst of disaster. And because, at its core, Lonely Planet is about the relationship between two people, it transcends the specific circumstances of  AIDS in the 1990’s, and feels very fresh and relevant today.

Read More





Pin It on Pinterest