Ms. Hamill’s play gives us a vivid, panoramic satire of English men and women striving to rise through marriage or inheritance into that sphere of treasure and therefore imagined happiness.
In 1966, when Tom Stoppard reimagined Hamlet by plucking from it two minor characters and giving them fully developed personalities for his groundbreaking existential play Rosencrantz & Guildenstern are Dead, perhaps he suggested to the fertile imagination of playwright Mark Jackson a way to reimagine The Oresteia by Greek playwright Aeschylus, c. 500 B.C.
“MASTER HAROLD… and the boys” is a mighty production of a mighty play about apartheid by Athol Fugard.
The DingDong, a first-rate farce presented by The Pearl Theatre Company, is based on Le Dindon by the French playwright Georges Feydeau (1885-1921). Adapted by Mark Shanahan, The DingDong plays fast and loose and is often ferociously funny and somwhat surreal.
Defendant Maurice Chevalier, a play with music, was written by Alexis Chevalier, the great grandnephew of the famous French singer and entertainer. In 1944 Maurice Chevalier (1888-1972) was accused of collaborating with the Nazis and tried in Paris by representatives of the Provisional Government of the French Republic based in Algiers. He was ultimately found innocent, with a consistent alibi.
Ms. Tagaq brings her magical throat music, wordlessly creating the wind, the ice, the lonely night, the dogs, the agony of the captured walrus and seal, the passion and despair of the free mates of those unfortunate animals. And throughout, the singing and instrumental expression convey the emotional life of Nanook’s family as they live in constant service to survival in this most melancholy of places on earth. The impact of the performance is haunting.
The Greek playwright Aristophanes was rad 2,426 years ago when he wrote the startling, serious sexual satire Lysistrata. Its story and characters stand today as a monument of anti-war literature of the highest value and quality.
Rachel Calof is a solo drama based on a Yiddish memoir, Rachel Calof’s Story: Jewish Homesteader on the Northern Plains. The play is a chamber piece, intimate yet large, ambitious to tell the life story of a resourceful and fine woman whose life’s hard, but through its lessons she triumphs. Rachel is Jewish, but she could be every woman who, with grit, humor and dignity manages to survive and thrive.
This play deserves future productions, and I’m confident it will find its way into the American repertory. It’s very much a story about commitment and temptation, ambition for the complex, ambition for the simple, and reaching for the moon, however you define that.
Schooled by Lisa Lewis is a drama about Claire, a young woman in mourning for her father. She’s a student in a New York City film school with a screenplay to which she is wedded. It’s good, says her professor, Andrew, but the two-page voiceover at the beginning has got to go. It’s good, says her boyfriend, Jake, also a film student (who Claire likens to Aaron Sorkin), but not as good as mine even though you’re brilliant. Both men have a stake in their relationship with Claire, and both men lose her because her stake, her deep hunger, is to pay tribute to her deceased father with her film.
If your summer vacation doesn’t include a trip to China, you might consider an excursion to the lower East Side
In the space of one swift hour the skilled dramatist and actress Rohina Malik portrays five Muslim women. Their personal stories vividly and movingly tell their experiences as they wear the hijab of their faith, encountering racism and islamophobic hate crimes, and yet surviving and thriving despite this ugly onslaught.
Reputation, pride, self-loathing, freedom, and the weight of betrayal all figure into “A Queen for a Day.” … And then there’s the gun.
In the twenty-first century, because of omnipresent media, we’re more aware than ever before in history of politics at home and abroad. The globe’s turmoil finds its way into our living rooms and cellphones. If we’re lucky, it’s turmoil on TV. If we’re not, it’s turmoil outside our windows, or, in the extreme, within our own four walls.