62nd Annual Obie Awards Winners

Oslo LCT 3-17 2328 Oslo By J.T. Rogers Directed by Bartlett Sher 3/22/17 Lincoln Center Theater, Vivian Beaumont, Broadway Premiere Scenic Design: Michael Yeargan Costume Design: Catherine Zuber Lighting Design: Donald Holder Projection Design: 59 Projections Photo Credit: T Charles Erickson © T Charles Erickson Photography tcepix@comcast.net

OSLO: Photo Credit: T Charles Erickson

Best New American Theater Work ($500 prize each)
Jennifer Kidwell and Scott R. Sheppard, Underground Railroad Game (Ars Nova)
J.T. Rogers, Oslo (Lincoln Center Theater)

Playwriting
Christopher Chen, Caught (The Play Company at La MaMa)
Lynn Nottage, Sweat (The Public Theater)

Musical Theater
Itamar Moses (book) and David Yazbek (music & lyrics), The Band’s Visit

Directing
Arin Arbus, The Skin of Our Teeth (Theatre for a New Audience)
Lileana Blain-Cruz, Death of the Last Black Man in the Whole Entire World (Signature Theatre Company)
David Cromer, The Band’s Visit (Atlantic Theater Company)
Jack Cummings III, Picnic (Transport Group)
Rebecca Taichman, Indecent (Vineyard Theatre)

Ensemble
Bartlett Sher (director) and the cast of Oslo (Lincoln Center Theater) Michael Aronov, Anthony Azizi, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jeb Kreager, Jefferson Mays, Christopher McHale, Daniel Oreskes, Angela Pierce, Henny Russell, Joseph Siravo, T. Ryder Smith
Lila Neugebauer (director) and the cast of The Wolves (The Playwrights Realm) Kate Arrington, Mia Barron, Brenna Coates, Jenna Dioguardi, Samia Finnerty, Midori Francis, Lizzy Jutila, Sarah Mezzanotte, Tedra Millan, Lauren Patten, Susannah Perkins

Performance
Matthew Broderick, Evening at the Talk House (The New Group) and Shining City (Irish Repertory Theatre)
Bobby Cannavale, The Hairy Ape (Park Avenue Armory)
Kevin Geer, Sustained Excellence [in memoriam]
Kecia Lewis, Marie and Rosetta (Atlantic Theater Company) and The Skin of Our Teeth (Theatre for a New Audience)
Heather MacRae, Come Back, Little Sheba (Transport Group)
Amy Ryan, Love, Love, Love (Roundabout Theatre Company)
Pete Simpson, Sustained Excellence
Michael Urie, Homos, or Everyone in America (Labyrinth Theater Company)

Design
Riccardo Hernandez, Sustained Excellence of Set Design
Dane Laffrey, Sustained Excellence of Set and Costume Design
Jared Mezzocchi, Projection Design, Vietgone (Manhattan Theatre Club)
Ryan Rumery, Sustained Excellence of Sound Design
Scott Zielinski, Sustained Excellence of Lighting Design

Special Citations
Anna Deavere Smith, Notes from the Field (Second Stage Theater)
Taylor Mac, A 24-Decade History of Popular Music (St. Ann’s Warehouse)

Obie Grants ($4,000 prize each)
Irish Repertory Theatre
Pearl Theatre Company
The Playwrights Realm

The Ross Wetzsteon Award ($3,000 prize)
Theatre for a New Audience

Lifetime Achievement Award
Paula Vogel

Tulis McCall

Author: Tulis McCall

For my money, the theatre is up there in the ten top reasons to be human. I leave my home and go sit in a dark room with complete strangers and watch actors do their stuff because I want to be inspired. I’m asking to be involved. I’m volunteering to be led down any old path they choose as long as they don’t let go of my hand. And if I see a show, and it is NOT so very good – I will try to divert you, because I don’t want you to come to the temple when the preaching isn’t up to snuff. I will bar the door, I will swing from rafters, I will yell FIRE just to set your feet on a path that does not lead to disappointment. Do something different with your evening I will say. Save your money for dinner with a friend you haven’t seen in months because you are too frigging busy. Go take a walk with your dog or your child or your significant other. Go to bed early, I will say. Don’t come to the theatre when it is less than it can be. I’m an usher snob, and that’s all there is to it.

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