Josephine and I

The Public has done it again.Josephine0002rR

And by “it,” I mean redefined how to approach theatre.

Josephine and I, a play written an performed by British actress Cush Jumbo (recently seen in Broadway’s The River) just opened in The Public Theatre’s Joe’s Pub. This one-woman biographical/autobiographical play focuses on the life of 20’s and 30’s dance star Josephine Baker and the life of the actress performing her, Jumbo. Hence, Josephine and I.

Firstly, the name Cush Jumbo is brilliant. With a name like that, how can you not be famous? But let me tell you, this girl has the chops to back up her fierce name. She navigates her work as an actress with maximum skill and the grace to suck you into these stories without ever wonder “when will this end?” (the dreaded question for most one-person shows.)

This was without a doubt the finest one-person play I had ever had the chance to watch. Here’s why…

Writing- It was potent, powerful and told these stories in a way that consumed every mind in the theatre. There was no space for wondering thoughts when Jumbo’s words are invading the room. Not to mention it’s written by and about the same lady who performs it. This is dangerous when a writer writes something they perform (we’ve seen this go wrong with Sting’s The Last Ship) and also when a writer write about their self (which we’ve seen go wrong with Motown the Musical by Berry Gordy). These seem to go toward one-sided, flat portrayals, exalting the characters as demigods. But Jumbo shares the good, the bad, and the ugly of the two-women at the center of her piece, and it’s so beautiful.

Acting- As I said, she’s brilliant. Watch out New York, London, Los Angeles, and any other city Cush Jumbo waJosephine0001rRnts to act in.

Direction- Superb. It was simply, and beautiful. Congrats Phyllida Lloyd.

Scenic and Costumes- Not a complaint to be had. Not distracting (until it needed to be.) God, I love feathers.

Lighting Design- Skillful and with great timing. It played very well with the “and” in between “Josephine” and “I.”

Music- Delightful. Bravo to the man behind the music and the piano, Joseph Atkins (who acts a bit in the show, too.)

The Public has had a long history of performing potent and needed works that speak louder than the room they are performed in. This time, they give us a play with the life of the Black female performer laid out raw in front of us, for us to synthesize and take back into our day-to-day perspectives. If you leave the play seeing these actresses in the same light, you are missing many sensory systems.

This is a don’t miss show. Run to Joe’s Pub, order a drink (I recommend their Rosé Prosecco,) order an appetizer (I recommend the french fries,) and order a theatrical experience to be reckoned with (I recommend Josephine and I.)


 

 

Josephine and I

By Cush Jumbo; directed by Phyllida Lloyd

WITH: Cush Jumbo (Girl/Josephine).

Sets and costumes by Anthony Ward; lighting by Kate Ashton, original lighting by Neil Austin; sound by Will Pickens; original sound by Simon Baker; film and photographic sequences by Ravi Deepres; music director/arrangements, Joseph Atkins; production stage manager, Kristen Gibbs; associate artistic director, Mandy Hackett; associate producer, Maria Goyanes; director of Joe’s Pub, Shanta Thake; production executive, Ruth E. Sternberg. Presented by the Public Theater, Oskar Eustis, artistic director; Patrick Willingham, executive director. At Joe’s Pub at the Public Theater, 425 Lafayette Street, at Astor Place, East Village; 212-967-7555, publictheater.org. Through April 5. Running time: 1 hour 40 minutes.

 

Daniel Dunlow

Author: Daniel Dunlow

Daniel Dunlow began his theatrical career at the age of 10 and hasn’t stopped since. Since then he has acted, directed, choreographed, designed, and musically directed for over 75 productions across the country. He holds a Lifetime Achievement Award from Lakeland Theatre Company. He has served on the Board of Directors for Lakeland Theatre Company in North Carolina and is the founder and artistic director of both Talked About Theatre Company and the new Louisburg Summer Theatre. As a writer, his work has received several performances at NYC’s Don’t Tell Mama Cabaret. His training includes New York University’s Tisch School of the Arts studying at the New Studio on Broadway for Musical Theatre. As a producer he has worked with Chad Kimball, Anthony Rapp, Richard H. Blake and many more. He is a standing member of The American Guild of Variety Artists. Follow him on twitter: @danieldunlow or check out his website: www.danieldunlow.com

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