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There are plenty of laughs to be had here, and as I threw in my donation (it’s pay-what-you-can on the way out) I exited the Triple Crown Underground a happier man than I had entered. There is no point, except to entertain people.
The challenge for anyone seeking to dramatize this important historical moment is to find something new to say or a new presentation of the well known facts.
Money Lab is frothy and sometimes fun, in the way that let’s-all-throw-in-together-and-put-on-a-show is fun.
The Heidi Chronicles was fresh and ambitious in 1989, an audacious play set on capturing the noisy struggle toward maturity of a particularly obstreperous generation. Perhaps inevitably, the revival suffers by comparison.